The rest of 1999’s hits also prove how drastically Hollywood norms have changed. The Conjuring 2 is one of the biggest hits of the year despite violating every rule of the lame horror sequel: It’s incredibly long (135 minutes), light on jumps, and heavy on religious allegory.
anything that didn’t involve found footage), it’s now roaring back into popularity. After some lean years for the “classic” horror genre (i.e. Dispensing with cheap scares or supernatural CGI, The Sixth Sense was the kind of old-fashioned chiller that built momentum through word of mouth, a then-rare horror film that found an audience in the otherwise action-packed summer months. Night Shyamalan and its star Bruce Willis. Hollywood is not trying hard enough to recall the best films of its last golden age.ĭespite The Blair Witch Project’s success in 1999, it was overshadowed by an even bigger horror movie, The Sixth Sense, a simpler ghost story that remains the biggest career success both for its director M. Blair Witch will be aiming for a similar audience response. Some of the year’s biggest profit-makers are tiny horror movies like Lights Out, which opened to $22 million last weekend on the oldest premise there is: Don’t turn out the lights, because there are monsters in the dark. It helped spawn a finely tuned economic model, with independent companies like Blumhouse Productions churning out a handful of micro-budgeted horror films a year, most of which are almost guaranteed to turn a profit thanks to their low financial outlay. The Blair Witch Project was the ultimate little engine that could, grossing $140 million against a $60,000 budget on the back of a “viral marketing campaign” that somehow took hold in a pre-YouTube, dialup internet age. But at the time, there were also a tremendous number of original films, a conspicuous lack of superheroes, and a number of low-budget, out-of-the-box successes that are still being vainly copied to this day.
There are Disney hits, including Pixar’s Toy Story 2 (the fourth entry hits theaters in 2018) and Tarzan (one of the last successful animated Disney musicals before the genre’s revival with Frozen). At the top of the box office was Star Wars Episode I: The Phantom Menace, the first go-round at reviving the most successful franchise of them all, a process that began again last December with The Force Awakens. Some of the titles in 1999 are very familiar. In fact, if you take a closer look at the films of 2016, it’s obvious studios are trying to recapture that magic-for better and for worse.
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It was one of the crown jewels of 1999, now regarded as a standout year in Hollywood history, with films that cast a long, influential shadow over the future of the movie industry. But it’s also easy to see the appeal of The Blair Witch Project, not just for its surprising box office, but for the era it represents. It’s looking to cash in on nostalgia, trading on an established name even though the Blair Witch “franchise” (which amounts to just two movies, including a largely derided sequel) has been long dormant. Like many sequels or reboots, Blair Witch is easy to dismiss as a cynical bit of Hollywood moneymaking. I don't want to spoil it for those who haven't seen it.The Weekly Planet: The Only Way to Achieve Carbon-Neutral Flight, According to an Airline Robinson Meyer The scariest single scene I've ever seen on film is in The Exorcist III involving a nurse on duty in a spooky hospital. Rosemary's Baby and The Stepford Wives really scare me, because I, personally, am frightened by the idea of no one being who I think they are and everyone coming to get me. Besides those, I was surprised by how frightened I was by the American remake of The Ring. Same with the Linda Blair flick, Hell Night. There's a great, little known 70's flick called The Sentinel which scared me half to death when I first saw it. The original Black Christmas, Halloween, and A Nightmare on Elm Street films are phenomenal and terrifying as well. All three of them do (and part 3 has a great, emotional story involving the wonderful Lin Shaye). As for jumps, the Insidious films sure have some of the most effective jump-out-of-your-seat scares I've seen in my life. Also, The Innocents is super creepy and gets under my skin. Carnival of Souls unnerves me like nothing else. The Exorcist is the gold standard and keeps getting better with age.